The Resource Multicultural Comics : From Zap to Blue Beetle

Multicultural Comics : From Zap to Blue Beetle

Label
Multicultural Comics : From Zap to Blue Beetle
Title
Multicultural Comics
Title remainder
From Zap to Blue Beetle
Creator
Contributor
Subject
Genre
Language
eng
Cataloging source
MiAaPQ
http://library.link/vocab/creatorName
Aldama, Frederick Luis
LC call number
PN6714 -- .M85 2010eb
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Royal, Derek Parker
  • ProQuest (Firm)
http://library.link/vocab/subjectName
  • Comic books, strips, etc. -- History and criticism
  • Multiculturalism in literature
Label
Multicultural Comics : From Zap to Blue Beetle
Link
http://ebookcentral.proquest.com/lib/multco/detail.action?docID=3443496
Instantiates
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Contents -- Foreword -- Or Reading Withing the Gutter -- Multicultural Comics Today: A Brief Introduction -- PART I. History, Concepts, and Methods -- Chapter One. Race and Comix -- Chapter Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics -- Chapter Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories/Ezhi-g'waabamaanaanig Aadizookaanag -- Chapter Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons -- Chapter Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics -- Chapter Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. -- Chapter Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel" -- Chapter Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim -- PART II. A Multicultural Comic Book Toolbox -- Chapter Nine. "It Ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula -- Chapter Ten. Invisible Art, Invisible Planes, Invisible People -- Chapter Eleven. Wondrous Capers: The Graphic Novel in India -- Chapter Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour -- Chapter Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research -- Works Cited -- Contributor Notes -- Index
Control code
EBC3443496
Dimensions
unknown
Extent
1 online resource (271 pages)
Form of item
online
Isbn
9780292784840
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC3443496
  • (Au-PeEL)EBL3443496
  • (CaPaEBR)ebr10412659
  • (OCoLC)667296554
Label
Multicultural Comics : From Zap to Blue Beetle
Link
http://ebookcentral.proquest.com/lib/multco/detail.action?docID=3443496
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Contents -- Foreword -- Or Reading Withing the Gutter -- Multicultural Comics Today: A Brief Introduction -- PART I. History, Concepts, and Methods -- Chapter One. Race and Comix -- Chapter Two. "Authentic" Latinas/os and Queer Characters in Mainstream and Alternative Comics -- Chapter Three. Native American Narratives from Early Art to Graphic Novels: How We See Stories/Ezhi-g'waabamaanaanig Aadizookaanag -- Chapter Four. Liminality and Mestiza Consciousness in Lynda Barry's One Hundred Demons -- Chapter Five. Black Nationalism, Bunraku, and Beyond: Articulating Black Heroism through Cultural Fusion and Comics -- Chapter Six. Birth of a Nation: Representation, Nationhood, and Graphic Revolution in the Works of D. W. Griffith, DJ Spooky, and Aaron McGruder et al. -- Chapter Seven. Lost in Translation: Jessica Abel's La Perdida, the Bildungsroman, and "That 'Mexican' Feel" -- Chapter Eight. Same Difference: Graphic Alterity in the Work of Gene Luen Yang, Adrian Tomine, and Derek Kirk Kim -- PART II. A Multicultural Comic Book Toolbox -- Chapter Nine. "It Ain't John Shaft": Marvel Gets Multicultural in The Tomb of Dracula -- Chapter Ten. Invisible Art, Invisible Planes, Invisible People -- Chapter Eleven. Wondrous Capers: The Graphic Novel in India -- Chapter Twelve. Chronology, Country, and Consciousness in Wilfred Santiago's In My Darkest Hour -- Chapter Thirteen. Finding Archives/Making Archives: Observations on Conducting Multicultural Comics Research -- Works Cited -- Contributor Notes -- Index
Control code
EBC3443496
Dimensions
unknown
Extent
1 online resource (271 pages)
Form of item
online
Isbn
9780292784840
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC3443496
  • (Au-PeEL)EBL3443496
  • (CaPaEBR)ebr10412659
  • (OCoLC)667296554

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