The Resource After Hitchcock : Influence, Imitation, and Intertextuality

After Hitchcock : Influence, Imitation, and Intertextuality

Label
After Hitchcock : Influence, Imitation, and Intertextuality
Title
After Hitchcock
Title remainder
Influence, Imitation, and Intertextuality
Creator
Contributor
Subject
Genre
Language
eng
Cataloging source
MiAaPQ
http://library.link/vocab/creatorName
Boyd, David
LC call number
PN1998.3.H58 -- A68 2006eb
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Palmer, R. Barton
  • ProQuest (Firm)
http://library.link/vocab/subjectName
  • Hitchcock, Alfred, -- 1899-1980 -- Criticism and interpretation
  • Hitchcock, Alfred, -- 1899-1980 -- Influence
  • Thrillers (Television programs) -- History and criticism
Label
After Hitchcock : Influence, Imitation, and Intertextuality
Link
http://ebookcentral.proquest.com/lib/multco/detail.action?docID=3443021
Instantiates
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Contents -- Introduction (David Boyd and R. Barton Palmer) -- PART I: PSYCHO RECYCLED -- For Ever Hitchcock: Psycho and Its Remakes (Constantine Verevis) -- Hitchcockian Silence: Psycho and Jonathan Demme's The Silence of the Lambs (Lesley Brill) -- PART II: THE RETURN OF THE REPRESSED -- Shadows of Shadow of a Doubt (Adam Knee) -- Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal (Ina Rae Hark) -- PART III: THE POLITICS OF INTERTEXTUALITY -- The Hitchcock Romance and the '70s Paranoid Thriller (R. Barton Palmer) -- Exposing the Lies of Hitchcock's Truth (Walter Metz) -- PART IV: FOUND IN TRANSLATION -- Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema (Richard Neupert) -- "You're Tellin' Me You Didn't See": Hitchcock's Rear Window and Antonioni's Blow-Up (Frank P. Tomasulo) -- Melo-Thriller: Hitchcock, Genre, and Nationalism in Pedro Almodóvar's Women on the Verge of a Nervous Breakdown (Ernesto R. Acevedo-Muñoz) -- "Knowing Too Much" about Hitchcock: The Genesis of the Italian Giallo (Philippe Met) -- PART V: THEORETICALLY HITCHCOCKIAN -- Death at Work: Hitchcock's Violence and Spectator Identification (Robert Sklar) -- Hitchcock and the Classical Paradigm (John Belton) -- PART VI: MODUS OPERANDI -- How to Steal from Hitchcock (Thomas M. Leitch) -- Notes on Contributors -- Index
Control code
EBC3443021
Dimensions
unknown
Extent
1 online resource (291 pages)
Form of item
online
Isbn
9780292795297
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC3443021
  • (Au-PeEL)EBL3443021
  • (CaPaEBR)ebr10185712
  • (OCoLC)191953158
Label
After Hitchcock : Influence, Imitation, and Intertextuality
Link
http://ebookcentral.proquest.com/lib/multco/detail.action?docID=3443021
Publication
Copyright
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Contents -- Introduction (David Boyd and R. Barton Palmer) -- PART I: PSYCHO RECYCLED -- For Ever Hitchcock: Psycho and Its Remakes (Constantine Verevis) -- Hitchcockian Silence: Psycho and Jonathan Demme's The Silence of the Lambs (Lesley Brill) -- PART II: THE RETURN OF THE REPRESSED -- Shadows of Shadow of a Doubt (Adam Knee) -- Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal (Ina Rae Hark) -- PART III: THE POLITICS OF INTERTEXTUALITY -- The Hitchcock Romance and the '70s Paranoid Thriller (R. Barton Palmer) -- Exposing the Lies of Hitchcock's Truth (Walter Metz) -- PART IV: FOUND IN TRANSLATION -- Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema (Richard Neupert) -- "You're Tellin' Me You Didn't See": Hitchcock's Rear Window and Antonioni's Blow-Up (Frank P. Tomasulo) -- Melo-Thriller: Hitchcock, Genre, and Nationalism in Pedro Almodóvar's Women on the Verge of a Nervous Breakdown (Ernesto R. Acevedo-Muñoz) -- "Knowing Too Much" about Hitchcock: The Genesis of the Italian Giallo (Philippe Met) -- PART V: THEORETICALLY HITCHCOCKIAN -- Death at Work: Hitchcock's Violence and Spectator Identification (Robert Sklar) -- Hitchcock and the Classical Paradigm (John Belton) -- PART VI: MODUS OPERANDI -- How to Steal from Hitchcock (Thomas M. Leitch) -- Notes on Contributors -- Index
Control code
EBC3443021
Dimensions
unknown
Extent
1 online resource (291 pages)
Form of item
online
Isbn
9780292795297
Media category
computer
Media MARC source
rdamedia
Media type code
c
Note
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2017. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Sound
unknown sound
Specific material designation
remote
System control number
  • (MiAaPQ)EBC3443021
  • (Au-PeEL)EBL3443021
  • (CaPaEBR)ebr10185712
  • (OCoLC)191953158

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